From the Archives — October 2016

BY SEBASTIÁN ENCINA, Museum Collections Manager

It’s October, when vampires and werewolves and mummies go out in the cold, dark nights, scaring folks for candy and treats. The Kelsey’s own mummies know a thing or two about wandering outside as well. Just earlier this month, the cat mummy, grain mummy, and one of our bird mummies made the trek to the University of Michigan Hospital to get CT scanned (see “Grain mummy goes to the hospital”).

These three are not the only mummies from our collections that have made such a journey. In 2002, curators Janet Richards and Terry Wilfong, along with student Grant Martin (who initiated this scanning endeavor), took our child mummy (KM 1971.2.179) to the hospital system to be scanned as well. This month’s “From the Archives” highlights this fun and unique adventure. The archives at the Kelsey hold not only the story as written by Terry and Janet, found in the Spring 2002 Kelsey newsletter, but also correspondence, reports, and other ephemera associated with the event.

On display this month are a scan of the 2002 newsletter, where Terry and Janet detail their middle of the night adventures driving a hearse and being welcomed by the staff of the hospital excited to see the VIP guest. Along with their tale, we present two pages from the report written by Martin Grant, where he explains some of the findings from the scanning, including some visuals of the scans themselves and the making of the resin skull (currently on exhibit in the Upjohn Exhibition Wing).

Thrown into the mix is the original outgoing receipt for this transaction (collections managers document all movement of objects leaving and arriving at the Kelsey). It is humorous, in a way, to read the simple note on why the object is leaving. “[O]ne mummy of a child from Kelsey Museum collections for scanning in UHospital after hours.” It is written so nonchalantly, as if a regular occurrence for us. This simple phrasing hides the excitement and buzz from the experience, and the depth of knowledge we acquired as a result.

This was not the first time this mummy received such attention. Many years earlier, the mummy was x-rayed, and that image is shared here as well. As much as this photograph shows us, developing technologies still offer us a greater chance to learn about our artifacts. Maybe in another 10 years, a new machine will come about that will reveal even more about our artifacts, and our mummy will go off in the night again.

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My Favorite Artifact

When it comes to the Kelsey Museum of Archaeology’s collections, not all artifacts are created equal. Some call out to us intellectually, others emotionally. We wondered, “Which artifacts move our staff?”

Curator T. G. Wilfong and Conservator Claudia Chemello prepare the child mummy for installation in its simulated tomb.

BY TUNICIA ROSS, Custodian, Plant, Buildings and Ground Services, Kelsey Museum of Archaeology, University of Michigan. A 24-year employee of the university and mother of two, Ross has been taking care of the Kelsey for the past two years.

Favorite Artifact: Mummy of a child. Human body, cloth, resin, wood. Roman period (1st century AD). Fayum region (?), Bay View Collection 1971. KM 1971.2.179.

Why. When I thought about ancient times before I came to the Kelsey, I imagined adults living then, not children. So the mummy of a child was very eye-catching to me when I first saw it. As I cleaned the glass (Plexiglas) panel in front of the exhibit, I realized it was not just an ancient mummy. But a real child who had lived more than 2,000 years ago. As a mother, I connected immediately.

After two years at the Kelsey, this child mummy still draws me. It also draws a lot of children! Museum rules caution visitors against touching any exhibits, but children leave more fingerprints on the child mummy’s viewing glass than any other exhibit case (except for the Djehutymose coffin).

This means I am often at the child mummy’s side, cleaning the glass. To clean Plexiglas, we use a special cleaner that doesn’t leave scratches. I first spray cleaner onto a cotton cloth before using it to wipe off fingerprints. We never spray cleaner directly onto museum glass because some exhibit panels have open spaces between them. If we sprayed directly, the cleaner would squirt between the open spaces and damage ancient artifacts.

One of my position’s perks is the opportunity to catch up with ancient history as I work. And when the curators and staff work on a new exhibition, it’s kind of exciting to see their preparations and the artifacts up close before the opening.

About Artifact. The anonymous child mummy probably dates to the early Roman period (1st century AD). We know nothing of the circumstances of its burial or discovery. The mummy came to the Kelsey from the former Bay View Collection, where it had been since the 1890s.

This mummy is displayed with pottery from roughly the same period (from the U-M excavation at Terenouthis, Egypt) to approximate what the burial — perhaps made in a pit grave — might have originally contained. In doing so, we hope to have struck a balance between respecting the wishes of ancient Egyptians while accommodating visitors’ interest in learning from this mummy.

Child mummy about to undergo CT scan.

In 2002, an undergraduate engineering student undertook a project that led to a new investigation of this mummy through CT scan, undertaken at the University of Michigan Hospital. The resulting images revealed the enormous amount of linen used to bandage the small child’s body, a wooden framework used to stabilize the body during embalming, possible postmortem damage of the skull, and the surprising fact that the child’s left hand had six fingers.

The CT scan images were further used to construct a virtual 3D model of the body beneath the bandages and an actual polymer resin model of the mummy skull. The technology has allowed scholars to investigate this mummy in a non-destructive and respectful manner.

Background. The anonymous child’s mummy hints at the sometimes harsh realities of life in ancient Egypt: child mortality was high, and children who did survive lived in a world that could be dangerous. Many artifacts from the University of Michigan excavations in Egypt (1924–1935), including dolls, toys, and images, show aspects of children’s lives: how they looked, dressed, played, ate, and learned — and died.

Find It. Look first for the Djehutymose coffin in the center of the first floor of the William E. Upjohn Exhibit Wing of the Kelsey Museum of Archaeology. While facing the coffin, turn slightly to the left, then slightly to the right. Now walk straight back to the wall where you’ll find a discreet glass panel built into the wall behind which the mummy of a child rests in a simulated cave burial.

Learn More. Life, Death and Afterlife in Ancient Egypt: The Coffin of Djehutymose, by T. G. Wilfong, is available in our Gift Shop or online at https://www.isdistribution.com/BookDetail.aspx?ad=34777.